While the way we look at things is unique to each individual and our intellectual perception is, for the most part, aware of this, our approach to the visible world, due to the lack of a rarely complete education, is more often left on the sidelines.
Beyond first impressions that enable us to identify what our eyes perceive, drawing, by analytical observation work that it implies, and the physical transcription that it requires, enables the materialization of thought in a different form, which can't be expressed in its initial phase. In drawing, acting leads to the veracity or invalidity of acts, and then to their consciousness.
With a more progressive approach, we'll take an interest in underlying structures structuring forms, and we'll attempt to discover, at the same time, in which way the light changes appearances, and the sentiment they provoke. It won't be about, in this course, receiving an accomplished education by standing in a position of formation, but to reveal, by practicing, a discovering and opening spirit in another universe, enabling access to a part of oneself that reinforces a set of abilities.
The drawings we'll be evaluated after each session, according to their analysis quality of subjects, their graphic translation, their sensibility and their personality. The average of the grades will be refined, at the end of the seminar, depending on the progress accomplished by the students, by their implication and assiduity.